Working on that the last few years I’ve finally starting to feel like I’ve got it down, with Fuji 400h. And in 2018, I started a Color PAC with Richard Photo Lab to really refine my style and color palette.I was in tears at the time, but thankfully the scans looked fine! It was during this time I started working with Richard Photo Lab. In 2017, I went to a workshop in France and my film actually was forced through an X-Ray scanner, even my Ilford Delta 3200.And the more I kept shooting, the more I kept learning and growing. In 2016, I bought a Contax 645 and had my husband start learning the Pentax 645N.It was great, but there was something about the images that I was seeing from the Contax 645 that couldn’t be replicated from what I was doing. In 2015, I bought a Pentax 645N to start trying out medium format.
#Seattle contax 645 photographer how to
I learned everything that I could from reading forums online and doing as much research as I could about how to get the look that I loved so much, and of course LOTS of trial and error. Shot my first few styled shoots with a couple rolls of film and the rest digital. In 2014, I bought a 35mm camera, Nikon F100, and started playing around with shooting film.I realized that the photos that I loved the most were shot on film. In 2013, I started shooting weddings and was looking for my own wedding photographer.But it wasn’t until I started shooting weddings that I really became interested in film. He didn’t want to deal with the hand-check hassle or risk an agent forcing his film through the scanners.
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When we’d travel to Europe, my dad would stuff his cargo pants with film to go through metal detectors at security instead of passing it through the X-Ray machines. Picture a 10 year old trying to help haul these cameras and tripods and film into the mountains. I grew up around film with my dad shooting landscapes on large format panorama cameras and medium format cameras.
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